HOLY SHIT, this is perfection.
The Human Rights Watch Film Festival returns to New York screens from June 13 to 23, 2013, with a program of 20 challenging and provocative films from across the globe that call for justice and social change. Now in its 24th edition, the festival will once again be presented at the Film Society of Lincoln Center and this year adds downtown screenings at the IFC Center.
The festival will launch on June 13 with a fundraising Benefit Night for Human Rights Watch featuring the HBO documentary Which Way Is the Front Line From Here? The Life and Time of Tim Hetherington. The film is Sebastian Junger’s moving tribute to his lost friend and Restrepo co-director, the photojournalist and filmmaker Tim Hetherington, who was killed while covering the Libyan civil war in 2011. The main program will kick off on June 14 with the Opening Night presentation of Oscar-winning filmmaker Freida Mock’s ANITA, in which Anita Hill looks back at the powerful testimony she gave against Supreme Court nominee Clarence Thomas and its impact on the broader discussion of gender inequality in America. The Closing Night screening on June 23 will be Jeremy Teicher’s award-winning drama Tall As the Baobab Tree, the touching story of a teenage girl who tries to rescue her younger sister from an arranged marriage in rural Senegal.
Traditional Values and Human Rights: Women’s Rights
Traditional values are often cited as an excuse to undermine human rights. In addition to Tall As the Baobab Tree, five documentaries in this year’s festival consider the impact on women. Veteran documentarian Kim Longinotto’s Salma is the remarkable story of a South Indian Muslim woman who endured a 25-year confinement and forced marriage by her own family before achieving national renown as the most famous female poet in the Tamil language. Jehane Noujaim and Mona Eldaief’s Rafea: Solar Mama profiles an illiterate Bedouin woman from Jordan who gets the chance to be educated in solar engineering but has to overcome her husband’s resistance.In Karima Zoubir’s intimately observed Camera/Woman, a Moroccan divorcée supports her family by documenting wedding parties while navigating her own series of heartaches. It will be shown with Rokhsareh Ghaem Maghami’s Going Up the Stairs, a charming portrait of a traditional Iranian grandmother who discovers her love of painting late in life and is invited to exhibit her work in Paris. Mike Lerner and Maxim Pozdorovkin’s candid HBO documentary Pussy Riot – A Punk Prayer centers on the women of the radical-feminist punk group, two of whom are currently serving time in a Russian prison for their acts of defiance against the government.
Traditional Values and Human Rights: LGBT Rights
Three films in the program remind viewers that, despite recent strides toward equality, LGBT communities around the world still struggle for acceptance. Shaun Kadlec and Deb Tullmann’s Born This Way is an intimate look at the lives of four young gay men and lesbians in Cameroon,where there are more arrests for homosexuality than in any other country in the world.Yoruba Richen’s The New Black uncovers the complicated and often combative intersection of the African-American and LGBT civil rights movements, with a particular focus on homophobia in the black church. In Srdjan Dragojevic’s drama The Parade, a fight by activists to stage a Gay Pride parade in Belgrade leads to an unlikely alliance in a black-humored look at contemporary Serbia.
Traditional Values and Human Rights: Disability Rights
Harry Freeland’s In the Shadow of the Sun is an unforgettable study in courage,telling the story of two albino men who attempt to follow their dreams in the face of prejudice and fear in Tanzania.
Crises and Migration
Three documentaries highlight the issues of humanitarian aid, conflict, and migration. In the Festival Centerpiece, Fatal Assistance, the acclaimed director Raoul Peck, Haiti’s former culture minister, takes us on a two-year journey following the 2010 earthquake and looks at the damage done by international aid agencies whose well-meaning but ignorant assumptions turned a nightmare into an unsolvable tragedy.Danish journalist Nagieb Khaja’s My Afghanistan – Life in the Forbidden Zone shows ordinary Afghans in war-torn Helmand who were provided with hi-res camera phones to record their daily lives, giving a voice to those frequently ignored by the Western media.Marco Williams’The Undocumented isan unvarnished account of the thousands of Mexican migrants who have died in recent years while trying to cross Arizona’s unforgiving Sonora Desert in search of a better life in the United States.
Focus on Asia
The festival will screen two important documentaries from Asia.In Joshua Oppenheimer’s chilling and inventive The Act of Killing, the unrepentant former members of Indonesian death squads are challenged to reenact some of their many murders in the style of the American movies they love.
Marc Wiese’s Camp 14 – Total Control Zone tells the powerful story of Shin Dong-Huyk, who spent the first two decades of his life behind the barbed wire of a North Korean labor camp before his dramatic escape led him into an outside world he had never known. Wiese is the recipient of the festival’s annual Nestor Almendros Award for courage in filmmaking for his film.
Human Rights in the United States
Four American documentaries – including festival opener ANITA – highlight human rights issues in our own back yard. 99% – The Occupy Wall Street Collaborative Film goes behind the scenes of the 2011 movement, digging into big-picture issues as organizers, participants, and critics reveal what happened and why. Al Reinert’s An Unreal Dream: The Michael Morton Story tells the story of a Texas man who was wrongfully convicted of his wife’s murder and was exonerated by new DNA evidence after nearly 25 years behind bars. Lisa Biagiotti’s deepsouth is an evocative exploration of the rise in HIV in the rural American south, a region where poverty, a broken health system and a culture of denial force those affected to create their own solutions to survive.
In conjunction with this year’s film program, the festival will present the photo exhibit Dowry: Child and Forced Marriage in South Sudan. The exhibit is Getty photographer Brent Stirton’s visual investigation into the devastating impact the tradition of child marriage has on girls in this East African nation. It will be featured in the Frieda and Roy Furman Gallery at the Film Society of Lincoln Center’s Walter Reade Theater for the duration of the festival.
Photo: © 2012 Harry Freeland